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	<title>Comments on: Meet The Storyfixer</title>
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	<link>http://storyfix.com</link>
	<description>Novel Writing, Screenwriting and Storytelling Tips &#38; Fundamentals</description>
	<lastBuildDate>Wed, 16 May 2012 23:16:12 +0000</lastBuildDate>
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		<title>By: Michael T</title>
		<link>http://storyfix.com/about/comment-page-2#comment-83927</link>
		<dc:creator>Michael T</dc:creator>
		<pubDate>Fri, 11 May 2012 01:07:18 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-83927</guid>
		<description>Thank you for answering my question.
I look forward to your next book &quot;Advanced Story Engineering,&quot; where you breakdown War and Peace, Ulysses, Paradise Lost, and Dante&#039;s The Divine Comedy.

Until that time I will continue the determined march of becoming a better writer, and hopefully a published one in the years to come.

Besides your book (Story Engineering), which covers vital parts of writing which few other books even come close to doing, I wanted go give a quick shout out to another one of my favorite books on the craft.  
Artful Sentences: Syntax as Style, by Virginia Tufte.
A hidden gem on an ignored subject, this book alongside yours should be in every would be writer&#039;s bookcase.

Thx again for the reply.</description>
		<content:encoded><![CDATA[<p>Thank you for answering my question.<br />
I look forward to your next book &#8220;Advanced Story Engineering,&#8221; where you breakdown War and Peace, Ulysses, Paradise Lost, and Dante&#8217;s The Divine Comedy.</p>
<p>Until that time I will continue the determined march of becoming a better writer, and hopefully a published one in the years to come.</p>
<p>Besides your book (Story Engineering), which covers vital parts of writing which few other books even come close to doing, I wanted go give a quick shout out to another one of my favorite books on the craft.<br />
Artful Sentences: Syntax as Style, by Virginia Tufte.<br />
A hidden gem on an ignored subject, this book alongside yours should be in every would be writer&#8217;s bookcase.</p>
<p>Thx again for the reply.</p>
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		<title>By: Larry</title>
		<link>http://storyfix.com/about/comment-page-2#comment-83925</link>
		<dc:creator>Larry</dc:creator>
		<pubDate>Thu, 10 May 2012 23:55:58 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-83925</guid>
		<description>@Michaell -- a great question, and a can of worms.  For sure, the underlying story physics (forces) are hard at work and very visible in the  classic stories you mention, and others.  As for structure, it&#039;s there in some form, but often there are so many POVs and inciting incidents and even multiple plot points - or conversely, they are so subtle you barely notice them - that analysis is hard to nail, and challenge is easily mounted.  I like to say that we should appreciate those novels, but not necessary hold them up to the light of architectural analysis with a view toward learning the basics.  We don&#039;t teach out kids painting by having them study Dali or Rembradt to discover the basic physics and structure of the art.  Genius is almost always based on a foundation of solid basics, and from there, those basics become a variable that only works in the hands of one.  Hope this helps!  L,.</description>
		<content:encoded><![CDATA[<p>@Michaell &#8212; a great question, and a can of worms.  For sure, the underlying story physics (forces) are hard at work and very visible in the  classic stories you mention, and others.  As for structure, it&#8217;s there in some form, but often there are so many POVs and inciting incidents and even multiple plot points &#8211; or conversely, they are so subtle you barely notice them &#8211; that analysis is hard to nail, and challenge is easily mounted.  I like to say that we should appreciate those novels, but not necessary hold them up to the light of architectural analysis with a view toward learning the basics.  We don&#8217;t teach out kids painting by having them study Dali or Rembradt to discover the basic physics and structure of the art.  Genius is almost always based on a foundation of solid basics, and from there, those basics become a variable that only works in the hands of one.  Hope this helps!  L,.</p>
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		<title>By: Michael T</title>
		<link>http://storyfix.com/about/comment-page-2#comment-83924</link>
		<dc:creator>Michael T</dc:creator>
		<pubDate>Thu, 10 May 2012 22:34:16 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-83924</guid>
		<description>*What is the difference in these novels, perhaps more finesse?*</description>
		<content:encoded><![CDATA[<p>*What is the difference in these novels, perhaps more finesse?*</p>
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		<title>By: Michael T</title>
		<link>http://storyfix.com/about/comment-page-2#comment-83923</link>
		<dc:creator>Michael T</dc:creator>
		<pubDate>Thu, 10 May 2012 22:33:03 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-83923</guid>
		<description>Having read enough books on writing as to be able to stack them three feet off the ground, I am a big fan of your book (Story Engineering), and think it is one of the best out there.
I have been applying your ideas while breaking down both movies and novels.  It works well, but then I started wondering how it would stand up to the most brilliant and complex novels of all time.

Would it hold against East of Eden?  A book with many points of view, (including omnipresent), and many story lines.

Where would the plot points be in a massive book like Shogun? Or Dune?

Wat is different in these novels, perhaps more finesse?

I would be very curious as to the answer.  

Thank you</description>
		<content:encoded><![CDATA[<p>Having read enough books on writing as to be able to stack them three feet off the ground, I am a big fan of your book (Story Engineering), and think it is one of the best out there.<br />
I have been applying your ideas while breaking down both movies and novels.  It works well, but then I started wondering how it would stand up to the most brilliant and complex novels of all time.</p>
<p>Would it hold against East of Eden?  A book with many points of view, (including omnipresent), and many story lines.</p>
<p>Where would the plot points be in a massive book like Shogun? Or Dune?</p>
<p>Wat is different in these novels, perhaps more finesse?</p>
<p>I would be very curious as to the answer.  </p>
<p>Thank you</p>
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		<title>By: mike</title>
		<link>http://storyfix.com/about/comment-page-2#comment-83874</link>
		<dc:creator>mike</dc:creator>
		<pubDate>Wed, 09 May 2012 23:15:48 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-83874</guid>
		<description>Are you doing ok?</description>
		<content:encoded><![CDATA[<p>Are you doing ok?</p>
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		<title>By: Bryan Wiggins</title>
		<link>http://storyfix.com/about/comment-page-2#comment-83605</link>
		<dc:creator>Bryan Wiggins</dc:creator>
		<pubDate>Wed, 02 May 2012 00:19:04 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-83605</guid>
		<description>Okay Larry, tired of banging my head on the rafters I&#039;m nailing together, based on Story Engineering. I&#039;m using your checklist to outline my scenes, but keep stumbling over the first two. Isn&#039;t the mission of every scene &quot;to drive the story forward?&quot; and doesn&#039;t it do this by delivering (optimally) a single piece of story exposition? I&#039;m struggling with trying to differentiate between a unique mission for each scene and the piece of story it&#039;s tasked with delivering. Can you sharpen the distinction? Thanks so much if you find the time, if not, I&#039;ll read part 6 another few times...</description>
		<content:encoded><![CDATA[<p>Okay Larry, tired of banging my head on the rafters I&#8217;m nailing together, based on Story Engineering. I&#8217;m using your checklist to outline my scenes, but keep stumbling over the first two. Isn&#8217;t the mission of every scene &#8220;to drive the story forward?&#8221; and doesn&#8217;t it do this by delivering (optimally) a single piece of story exposition? I&#8217;m struggling with trying to differentiate between a unique mission for each scene and the piece of story it&#8217;s tasked with delivering. Can you sharpen the distinction? Thanks so much if you find the time, if not, I&#8217;ll read part 6 another few times&#8230;</p>
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		<title>By: Kenneth Weene</title>
		<link>http://storyfix.com/about/comment-page-2#comment-82713</link>
		<dc:creator>Kenneth Weene</dc:creator>
		<pubDate>Tue, 10 Apr 2012 17:53:54 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-82713</guid>
		<description>I&#039;d love to do a guest post for this site. It seems like a great place for serious writers who have something to say. Since my novels are typically about social issues, restarting late in life (Widow&#039;s Walk), mental health and personal freedom (Memoirs From the Asylum), and the people who are just getting by (Tales From the Dew Drop Inne), I always like to discuss the social and political role of the writer. 
Let me know if you&#039;d be interested.</description>
		<content:encoded><![CDATA[<p>I&#8217;d love to do a guest post for this site. It seems like a great place for serious writers who have something to say. Since my novels are typically about social issues, restarting late in life (Widow&#8217;s Walk), mental health and personal freedom (Memoirs From the Asylum), and the people who are just getting by (Tales From the Dew Drop Inne), I always like to discuss the social and political role of the writer.<br />
Let me know if you&#8217;d be interested.</p>
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		<title>By: ANWA Writers Conference - Easy As PIEEasy As PIE</title>
		<link>http://storyfix.com/about/comment-page-2#comment-81031</link>
		<dc:creator>ANWA Writers Conference - Easy As PIEEasy As PIE</dc:creator>
		<pubDate>Tue, 06 Mar 2012 20:52:19 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-81031</guid>
		<description>[...] Writing Process by Larry Brooks [...]</description>
		<content:encoded><![CDATA[<p>[...] Writing Process by Larry Brooks [...]</p>
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		<title>By: NaNoWriMo Debriefing &#124; BULLISH INK</title>
		<link>http://storyfix.com/about/comment-page-2#comment-80526</link>
		<dc:creator>NaNoWriMo Debriefing &#124; BULLISH INK</dc:creator>
		<pubDate>Mon, 27 Feb 2012 06:59:52 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-80526</guid>
		<description>[...] Larry Brooks&#160;- his daily NaNo posts &#8211; based on his stellar story structure manual &#8211; were jam-packed with excellent advice and I truly applaud his generous spirit. You can buy&#160;his story structure book Story Engineering&#160;here&#160;or a compilation of his NaNo posts&#160;here [...]</description>
		<content:encoded><![CDATA[<p>[...] Larry Brooks&nbsp;- his daily NaNo posts &#8211; based on his stellar story structure manual &#8211; were jam-packed with excellent advice and I truly applaud his generous spirit. You can buy&nbsp;his story structure book Story Engineering&nbsp;here&nbsp;or a compilation of his NaNo posts&nbsp;here [...]</p>
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		<title>By: Richard Orlin</title>
		<link>http://storyfix.com/about/comment-page-2#comment-80068</link>
		<dc:creator>Richard Orlin</dc:creator>
		<pubDate>Thu, 16 Feb 2012 16:20:57 +0000</pubDate>
		<guid isPermaLink="false">http://storyfix.com/?page_id=2#comment-80068</guid>
		<description>I bought your book, &quot;Story Engineering&quot; and think it&#039;s great! However, the link on the back to your downloadable &quot;Story engineering checklist&quot; at WD is dead. Do you have the correct link or can you email the file?
Thank you very much</description>
		<content:encoded><![CDATA[<p>I bought your book, &#8220;Story Engineering&#8221; and think it&#8217;s great! However, the link on the back to your downloadable &#8220;Story engineering checklist&#8221; at WD is dead. Do you have the correct link or can you email the file?<br />
Thank you very much</p>
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