Category Archives: NaNoWriMo

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More on Criticism, Confusion and NaNoWriMo Nausea

Last week’s post about handling criticism struck a chord with many Storyfix readers.  It should — we all get it, and we all get to decide what to do about it.

If you’d like more on this subject, this time from a fine artist’s point of view, here are three essays on the subject from best-selling photographer and author, Alain Briot, entitled Understanding Criticism.

Here are the links: Part 1Part 2 … and Part 3.  Good stuff.

Stuck in the Middle?

Remember that song, by Steelers Wheel from the early1970s?  (The group included a guy named Gerry Rafferty, who went on to a nice solo career after SW broke up).  You might if you’re an old fart like me (after the October series I can’t get the tune out of my head)…

… and if you’re literally stuck in the middle of your NaNoWriMo draft, you’ll definately relate, at least to one particular line:

Tryin’ to make some sense of it all… but I can see it makes no sense at all…

It happens.  Frequently, in fact, if you start writing a draft without knowing: a) how the story will end, b) who your hero is and will become, and/or c) how to launch the story with an effective plot point that comes after an equally effective series of set-up scenes.

So now you’re stuck. 

Or at least slowed.

I’ve heard from some of you to this effect, and while I take no pleasure in any sort of I-told-y0u-so posturing… well, here it is: I told you so.  This is what happens when you begin a draft that is without a vision for these particular things, among a handful of other criteria.  Such a non-planning, organic draft is, in essence, a form of story-search, and only when you find it (whether because of that draft, or because of any pre-draft story planning), can you write a draft that actually works

Or perhaps, as you sit there stuck, feels like it has a shot at working.

So what now? 

My best advice is to stop right where you are and analyze what you’ve got, with an emphasis on why you feel stuck.  Chances are it’ll be because the story isn’t clinging to a solid linear flow directed toward a vision for a killer ending, that it’s rambling a bit and you find yourself writing more about characters that giving them something meaninful to do.

No writing is ever wasted.  If you’re stuck, then what you’ve written is useful as a launching pad toward discovery of what you should have written.  You’ve vetted and test-flown some of your ideas, and now you know you need a new engine, or at least a new paint job. 

Use this experience to move forward in a more informed, directed way.  There’s plenty of days remaining to finish a draft that works.

This process — story discovery by drafting — works fine if you have two things: knowledge and time.  But you certainly don’t have the latter on your side at this point, which means that without a plan for your story going forward, whether that exists on paper or in your head, come November 30th you’ll end up with the same pit in your stomach that you’re feeling now.

So stop writing.  Right now.  Change gears.  Write smart, not fast.

Take stock of what you’ve got and create a plan for how the book should and will end.  A solid plan.  Evaluate your pages thus far and juxtapose them against this new plan, and then make some notes on what you must do to them later to make them fit into the new story vision. 

Then get busy and write the rest of the book.

You may have a finished book that could be a revision away — to the previous pages… no time to fix them now, and no need if you go forward with a solid story vision, they’ll be waiting for a facelift beginning on December 1 — from being a story that is worth your further attention.

A huge temptation — and a fatal misstep — would be to combine your existing pages, the ones that are making your feel uneasy, with the forthcoming planned pages in the belief that you’ve just saved the story, and that you’re done.  Chances are you haven’t… the first half of a book needs to be written in context to the ending as much as the second half.

Whatever gets you there.  As long as you understand what “there” means in this context.

Another reason you might be feeling quesy when you look at your keyboard… that Big Idea you started with turned out to be something less than as-advertised.  Just remember, the concept doesn’t have to be wildly original or strong if your characters and themes are… and vice versa. 

Again, break it down to identify what isn’t working (and what you’ll come back to with a CPR kit), then finish the novel from your new narrative context. 

If you’d like a NaNoWriMo 101 refresher…

..a reminder that I’ve collected the entire October planning series in a new ebook, “When Every Month is NaNoWriMo,” and it’s available now.  It includes the many linked reference posts from the series in full, as well as an entire award-winning novel to help illustrate what goes where, and why.  Click HERE to get your Kindle copy… HERE for a downloadable PDF… pretty cheap, too.

I hope you’re enjoying the experience, and I’m wishing you great success.

Which, as you know if you’re been reading here, has little to do with simply finishing a rock pile of 50,000 words and everything to do with birthing a story that has a future.

 

(Thanks to my good friend Dennis Damore for the Critiscism links.)

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NaNoWriMo eBook Now Available as as PDF

Is it polite to lead with a caveat?  Here’s mine:

I just released my new ebook, “When Every Month is NaNoWriMo: Principles, Guidelines, Tips and New Thinking to Make Sure Your Novel Doesn’t Tank.”   The caveat is that the book is a sequenced, buffed-up version of the 31 posts presented here in October… plus the linked reference posts (including various criteria lists and sample Prologues)… plus the ENTIRE ebook edition of “Bait and Switch” (my most successful novel, critically-speaking) for your reference and enjoyment.

Check the middle column of this site (top).  You’ll see a new “ADD TO CART” button… just click it to get your copy.  It’ll take you to Paypal, then (when you’re done there) to an E-Junkie page where you need to hit the DOWNLOAD button (easy to find), which will allow you to download it to your computer… where you’ll then need to SAVE it.

If you don’t save it, it’ll go away, so be sure to put it on your hard drive somewhere.  The PDF is easy to read, easy to print, and easy to wrap your head around.

One context shift in this version… the material applies to non-NaNoWriMo projects as powerfully as it does the November experience.  Guess you’d intuit that from the title, but it bears repeating.  If your non-NaNoWriMo friends are looking for a solid and original guide to writing a better novel, hope you’ll point this out to them.

Oh… it’s $5.95. 

Less than I originally quoted, mainly because the content is also available here, for free (other than the novel).  If you’d like the whole thing bundled and accessible, then this is a good resource for you.

A Kindle version is also available.

Still cleaning up the Product Description (it takes Amazon a day or so to process revisions), but you can buy it for download to your Kindle HERE.

Some of you have asked for a hard copy version… will try to make that happen soon.

Thanks for your support.  I hope your NaNoWriMo is going well, and that my stuff has helped you in some way.

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